Cable dressing and length: Most stereo headphones have just one cable, usually attached to the left earpiece (sometimes called single-sided cabling). Some models -- and all earbuds -- use a Y-cable that connects to both earpieces (double-sided). The actual cable plug, meanwhile, is usually one of two designs: a straight I-plug or an angled L-plug; the latter may be useful if your portable player has a side- or bottom-mounted headphone jack.
Mid-range: Many headphones that cost between $50 and $130 include improved sound and useful smartphone integration (like custom EQ controls). In this price range, you’ll also see a big jump in the quality of materials used, which improves both the sound and the luxury of each pair. If you need a pair of well-made headphones with basic noise cancellation, you’ll need to spend at least this much.
The E25BT didn’t score quite as high for audio quality as other models on this list, and it lacks some features you’ll find on certain other models, such as water resistance and extended battery life. But if you want a pair of wireless headphones that provide decent sound at a fraction of the cost of its competitors, the E25BT is an appealing option.
Audiophiles generally agree that if you’re passionate about music, and you have a listening space that is relatively free of outside sounds, nothing beats a really good set of open-back headphones. As far as we’re concerned, you won’t find a set of open-back headphones that manage to combine superb sound quality and a reasonable price than the Sennheiser HD6XX/HD650. To be clear, these are not exactly the same models. The HD6XX is a run of the HD650 with a lower price from Massdrop, and a few physical changes, but when it comes to their audio chops, they’re identical.
The fit isn’t always an easy thing to be sure of when you can’t try before buying, since some ear pads will not have a satisfactory fit to some ears. Power requirements aren’t a simple matter of looking at the impedance, since efficiency or sensitivity doesn’t always track directly with impedance. Another issue indirectly related to power requirements are whether the headphone has the option for ‘balanced’ use or some other connection that isn’t a 3.5 mm or 6.35 mm jack and plug.
For older models of telephones, the headset microphone impedance is different from that of the original handset, requiring a telephone amplifier for the telephone headset. A telephone amplifier provides basic pin-alignment similar to a telephone headset adaptor, but it also offers sound amplification for the microphone as well as the loudspeakers. Most models of telephone amplifiers offer volume control for loudspeaker as well as microphone, mute function and switching between headset and handset. Telephone amplifiers are powered by batteries or AC adaptors.
Dirac is mainly for resonance (narrow band) taming and not suitable for normal EQ. Accudio is good. But since the L1 already has a strong bass emphasis, boosting mids or treble just makes the imbalance worse – i.e. the freq. response becomes more ragged and the sound more harsh. To get a smoother sound and better mids and treble, reduce the bass instead.
Dale: The examples listed above are good general rules, but there also are so many exceptions and in-betweens that it also could be better to understand what is needed for your music, so you can narrow the search to the most appropriate headphones. For example, you may have heard that Classical music is a particular genre, but within that ‘genre’ are many very different types of music. Chamber music or pipe organ music may benefit from a headphone that’s highly detailed in the treble (a headphone that some users might say is bright), while harpsichord music and music that has a lot of strong trumpet sounds might be better served with a more rounded or softer treble.
Circumaural headphones (sometimes called full size headphones or over-ear headphones) have circular or ellipsoid earpads that encompass the ears. Because these headphones completely surround the ear, circumaural headphones can be designed to fully seal against the head to attenuate external noise. Because of their size, circumaural headphones can be heavy and there are some sets that weigh over 500 grams (1 lb). Ergonomic headband and earpad design is required to reduce discomfort resulting from weight. These are commonly used by drummers in recording.

We’re totally convinced the Sony WH-1000xM3 will be the best pick for most people, but if you’re looking for some alternatives, we have you covered there, too. We identified seven other models that are more than worthy of your consideration, each with their own specific strengths, whether it’s for use during a workout — or merely to keep you from giving your credit card too much of a workout.

Cable dressing and length: Most stereo headphones have just one cable, usually attached to the left earpiece (sometimes called single-sided cabling). Some models -- and all earbuds -- use a Y-cable that connects to both earpieces (double-sided). The actual cable plug, meanwhile, is usually one of two designs: a straight I-plug or an angled L-plug; the latter may be useful if your portable player has a side- or bottom-mounted headphone jack.
hi? i want to ask a question. Im a complete newbie on the audiphilic side so i red on a site that the more the impedance is higher a headphone amp is requierd and less the impedance a headphone amp is not that much requierd cause the headphones with less impedance are made for portable players. Now let me get to the point im using cheap headphones the philips sbc hp250 they are old about 5 years and sound ok but i want to replace them so i use them mostly for listening to hours of music and i am also a musician so would it make a diference if i would buy a behringer headphone amp http://www.amazon.com/Behringer-HA400-4-Channel-Stereo-Headphone/dp/B000KIPT30/ref=sr_1_6?ie=UTF8&qid=1379715994&sr=8-6&keywords=behringer+amplifier and amplify those headphones would they play better cause now im having them plugged on a intergrated via vinyl soundcard http://www.via.com.tw/en/products/audio/codecs/vt1708s/. and they sound shitty on full volume. I am considering to buy new full size headphones and im willing to give max 80 euros for them so for the start i just want them to be loud but i want a clear sound at high volume levels. To be more specific i want a clear sound that is balanced in the lows mids and highs but not distorted and the lows should not be too much overpowered. I was sniffing around your site and found some sennheiser hd 202 ii they are not even close to 80 euros but i heard they sound great would they be better than these philips headphones and what other alternatives would you suggest me for max 80 euros

Of the tested codecs we met, aptX and aptX HD fared the best out of all our candidates. While that may seem strange to say, on the whole their results were right where they needed to be in order to stand in for a wire for commuters, and listeners over 40. You’d really only run into issues at high volumes (90+dB), so while aptX isn’t quite able to keep up with CD quality, aptX HD is able to get extremely close to the mark with a little processing creativeness. Both codecs fall short in the highest frequencies a human could potentially hear, but the vast majority of people can’t hear sounds over 18kHz anyway.
Generally, headphones are able to reproduce richer low-end audio, since they have larger drivers than earphones and they don't rely on an in-ear seal to deliver sound. Some listeners also find headphones more comfortable to wear, and easier to put on and take off, than they do earphones. This naturally means that headphones are bulkier, and less suited to the gym.
Smaller earbud type earpieces, which plugged into the user's ear canal, were first developed for hearing aids. They became widely used with transistor radios, which commercially appeared in 1954 with the introduction of the Regency TR-1. The most popular audio device in history, the transistor radio changed listening habits, allowing people to listen to radio anywhere. The earbud uses either a moving iron driver or a piezoelectric crystal to produce sound. The 3.5 mm radio and phone connector, which is the most commonly used in portable application today, has been used at least since the Sony EFM-117J transistor radio, which was released in 1964.[9][10] Its popularity was reinforced with its use on the Walkman portable tape player in 1979.
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