I’ve had only a few minutes one day with a 598, so I can’t say exactly. But since the HP100 is closed and the 598 is open, I would get the 598, as long as open back is OK for you. I don’t think you can go wrong with the 598 in any case – it’s a very good headphone. Watch carefully for any cracks to develop though, since there were many reports of that.
There are many good articles here on Headfonia. You could click on Buyers’ Guides and read through those, then click on the Headphones topic header for each individual report. The “process” you go through is learning your own sound preferences, then matching that to the products that are available. It is a process, so you have to learn the major differences. Any shortcuts you take might be OK, but when you buy something that you discover you don’t like, make sure you can return that item.
Pairing high sensitivity headphones with power amplifiers can produce dangerously high volumes and damage headphones. The maximum sound pressure level is a matter of preference, with some sources recommending no higher than 110 to 120 dB. In contrast, the American Occupational Safety and Health Administration recommends an average SPL of no more than 85 dB(A) to avoid long-term hearing loss, while the European Union standard EN 50332-1:2013 recommends that volumes above 85 dB(A) include a warning, with an absolute maximum volume (defined using 40–4000 Hz noise) of no more than 100 dB to avoid accidental hearing damage. Using this standard, headphones with sensitivities of 90, 100 and 110 dB (SPL)/V should be driven by an amplifier capable of no more than 3.162, 1.0 and 0.3162 RMS volts at maximum volume setting, respectively to reduce the risk of hearing damage.
Garbage in = Garbage out (GIGO) is a popular phrase used to emphasize the importance of a good source. This can be the soundcard in your laptop, the quality of your portable audio player, or the CD player you’re using for music listening. Those fall into the “Source” category. The better your source is, the better the sound will be at the headphone end. This is why we are seeing more and more audiophile digital audio players (audiophile DAPs). They are expensive but they sound good.
That depends on what you’re using them for and how much you’re willing to spend. At the high-end, over-ear and in-ear headphones can both perform fantastically. For those of us not willing to spend thousands on headphones, over-ear headphones typically offer better bass response and a bigger soundstage, but in-ear headphones are significantly more portable and convenient — especially wireless earbuds.
The tech-speak description for this type of headphone is "circumaural," which includes any headphones with earcups that fully enclose your ears. Because of their size and their acoustic isolation, full-size headphones are often considered to be better-suited to home use rather than as a portable option, but the recent popularity of full-size, noise-canceling Beats headphones are challenging the rule.
Using headphones at a sufficiently high volume level may cause temporary or permanent hearing impairment or deafness. The headphone volume often has to compete with the background noise, especially in loud places such as subway stations, aircraft, and large crowds. Extended periods of exposure to high sound pressure levels created by headphones at high volume settings may be damaging to hearing; Nearly 50% of teenagers and young adults (12 to 35 years old) in middle and high income countries listen to unsafe levels of sound on their personal audio devices and smartphones. however, one hearing expert found in 2012 (before the worldwide adoption of smartphones as the main personal listening devices) that "fewer than 5% of users select volume levels and listen frequently enough to risk hearing loss." The International Telecommunication Union recently published "Guidelines for safe listening devices/systems" recommended that sound exposure not exceed 80 decibels, A-weighted dB(A) for a maximum of 40 hours per week. The European Union have also set a similar limit for users of personal listening devices (80 dB(A) for no more than 40 hours per week) and for each additional increase of 3-dB in sound exposure, the duration should be cut in half (83 dB(A) for no more than 20 hours, 86 dB(A) for 10 hours per week, 89 dB(A) for 5 hours per week and so on. Most major manufactures of smartphones now include some safety or volume limiting features and warning messaging in their devices. though such practices have received mixed response from some segments of the buying who favor the personal choice of setting their own volume levels.
I’m a former Mixer and DJ and I’d highly recommend the Beyer T1 for mixing. It is not absolutely flat, but it is an all around proper Audio Technicians Headphone. For flat response, I might eyeball the HD800 but the low end might not be the best if you are often mixing tracks with solid low ends. Flat might not always be the best option ( my opinion ). If you need to mix heavy bass tracks, it is better to have a headphone that responds better to low end EQ and is generally accepted as a more well rounded headphone.
The FiiO E17 “Alpin” + AIAIAI TMA-1 or Pro700 Mk2 seem like a mix you’d recommend, but I’m concerned those cans will be uncomfortable for day-long use. Also I don’t know if that DAC/amp is the best for my style of music/headphones. Third, some of my techno tracks have stunning vocals, and I don’t want to miss out on those high notes while enjoying the bass.
We are excited to announce that we are moving! To better serve our customers we will be moving from our current location on Morganton Blvd to Harper Ave across from McDonald’s in Lenoir (the old Music Center Location). We have closed our location on Morganton Blvd and will reopen at our Harper Ave. location on Wednesday. Due to the move, we may not be able to answer the store phone. For any questions, please message us here on Facebook or email us at [email protected] We can’t wait for you all to see the new RadioShack of Lenoir!