Due to the extremely thin and light diaphragm membrane, often only a few micrometers thick, and the complete absence of moving metalwork, the frequency response of electrostatic headphones usually extends well above the audible limit of approximately 20 kHz. The high frequency response means that the low midband distortion level is maintained to the top of the audible frequency band, which is generally not the case with moving coil drivers. Also, the frequency response peakiness regularly seen in the high frequency region with moving coil drivers is absent. Well-designed electrostatic headphones can produce significantly better sound quality than other types.[citation needed]
The Sony noise-cancelling headphones are a tiny miracle. They’re great at blocking the outside world, so you’ll hear your music and nothing else – at a price point that’s less than $50. Wired headphones can be a tough sell for those who’ve grown accustomed to wire-free listening, but if you’re all right with a wired connection, this pair is an easy choice.
With small extrusions emerging from otherwise understated wireless in-ears, Jabra’s Elite Active 65t look like miniature versions of the Bluetooth headsets that helped put the brand on the map. But don’t be fooled by the looks — with sweatproofing, excellent sound quality, and a myriad of useful features, these little guys beat out every other pair of headphones on the market as the best workout headphones.

The Galaxy Buds produce exemplary audio quality packed into a pair of unobtrusive earpieces, complete with easy-to-use touch controls for playback, volume, and skipping tracks. According to Samsung, they have a 6-hour battery life and come with a powered carrying case that will recharge the earphones for up to 7 additional hours of playback on the go. The case itself can be charged with a wireless charging mat, and it’s particularly small compared with the cases that come with many true wireless models.


Headphones are available with high or low impedance (typically measured at 1 kHz). Low-impedance headphones are in the range 16 to 32 ohms and high-impedance headphones are about 100-600 ohms. As the impedance of a pair of headphones increases, more voltage (at a given current) is required to drive it, and the loudness of the headphones for a given voltage decreases. In recent years, impedance of newer headphones has generally decreased to accommodate lower voltages available on battery powered CMOS-based portable electronics. This has resulted in headphones that can be more efficiently driven by battery-powered electronics. Consequently, newer amplifiers are based on designs with relatively low output impedance.
That amp, if in good working condition, has 100 times the potential sound quality that those 2 headphones can play. You could improve the sound somewhat with a careful EQ, since the Marantz will have power reserve to spare. But I’d try to find a better headphone, and there are some bargains out there. If I were suggesting an ortho, I’d say get the lower price Mad Dog, which will give you great audiophile sound with the Marantz.
Historically, many headphones had relatively high impedance, often over 500 ohms so they could operate well with high-impedance tube amplifiers. In contrast, modern transistor amplifiers can have very low output impedance, enabling lower-impedance headphones. Unfortunately, this means that older audio amplifiers or stereos often produce poor-quality output on some modern, low-impedance headphones. In this case, an external headphone amplifier may be beneficial.
Preferences for the length of headphone cables vary for portable users, especially depending on where you prefer to wear your device: a backpack or a pants pocket necessitates a longer cable, while you'll opt for a short one when wearing a player on a neck lavalier or an armband. But a cable length at either extreme need not be a fatal flaw: extension cables can lengthen those that are too short, and cable wraps can tighten up ones that are too long.
Due to the extremely thin and light diaphragm membrane, often only a few micrometers thick, and the complete absence of moving metalwork, the frequency response of electrostatic headphones usually extends well above the audible limit of approximately 20 kHz. The high frequency response means that the low midband distortion level is maintained to the top of the audible frequency band, which is generally not the case with moving coil drivers. Also, the frequency response peakiness regularly seen in the high frequency region with moving coil drivers is absent. Well-designed electrostatic headphones can produce significantly better sound quality than other types.[citation needed]

A balanced armature is a sound transducer design primarily intended to increase the electrical efficiency of the element by eliminating the stress on the diaphragm characteristic of many other magnetic transducer systems. As shown schematically in the first diagram, it consists of a moving magnetic armature that is pivoted so it can move in the field of the permanent magnet. When precisely centered in the magnetic field there is no net force on the armature, hence the term 'balanced.' As illustrated in the second diagram, when there is electric current through the coil, it magnetizes the armature one way or the other, causing it to rotate slightly one way or the other about the pivot thus moving the diaphragm to make sound.
hi? i want to ask a question. Im a complete newbie on the audiphilic side so i red on a site that the more the impedance is higher a headphone amp is requierd and less the impedance a headphone amp is not that much requierd cause the headphones with less impedance are made for portable players. Now let me get to the point im using cheap headphones the philips sbc hp250 they are old about 5 years and sound ok but i want to replace them so i use them mostly for listening to hours of music and i am also a musician so would it make a diference if i would buy a behringer headphone amp http://www.amazon.com/Behringer-HA400-4-Channel-Stereo-Headphone/dp/B000KIPT30/ref=sr_1_6?ie=UTF8&qid=1379715994&sr=8-6&keywords=behringer+amplifier and amplify those headphones would they play better cause now im having them plugged on a intergrated via vinyl soundcard http://www.via.com.tw/en/products/audio/codecs/vt1708s/. and they sound shitty on full volume. I am considering to buy new full size headphones and im willing to give max 80 euros for them so for the start i just want them to be loud but i want a clear sound at high volume levels. To be more specific i want a clear sound that is balanced in the lows mids and highs but not distorted and the lows should not be too much overpowered. I was sniffing around your site and found some sennheiser hd 202 ii they are not even close to 80 euros but i heard they sound great would they be better than these philips headphones and what other alternatives would you suggest me for max 80 euros
With small extrusions emerging from otherwise understated wireless in-ears, Jabra’s Elite Active 65t look like miniature versions of the Bluetooth headsets that helped put the brand on the map. But don’t be fooled by the looks — with sweatproofing, excellent sound quality, and a myriad of useful features, these little guys beat out every other pair of headphones on the market as the best workout headphones.
Sports headphones are among the most popular types of headphones and the best ones are now wireless. Sweat-resistant or even totally waterproof, they can be used at the gym or for running or biking. Some are have an open or semi-open design to let some sound in for safety reasons (so you can hear traffic noise). However, other models have a sealed, noise-isolating design.

Dale: It’s really the same with any genre or sub-genre of music, that the sound from different artists and tracks can vary a lot, so having more than one headphone is a plus. When only one headphone is available at a particular time (portable use especially), one option is to use a headphone that can accommodate a wide range of genres, in which case there may be compromises to consider. Another option is to carry two headphones – one on the head or around the neck and another in a carry case. Some of the small headphones can make this easy to do.
Electrostatic drivers consist of a thin, electrically charged diaphragm, typically a coated PET film membrane, suspended between two perforated metal plates (electrodes). The electrical sound signal is applied to the electrodes creating an electrical field; depending on the polarity of this field, the diaphragm is drawn towards one of the plates. Air is forced through the perforations; combined with a continuously changing electrical signal driving the membrane, a sound wave is generated. Electrostatic headphones are usually more expensive than moving-coil ones, and are comparatively uncommon. In addition, a special amplifier is required to amplify the signal to deflect the membrane, which often requires electrical potentials in the range of 100 to 1000 volts.
In the professional audio sector, headphones are used in live situations by disc jockeys with a DJ mixer, and sound engineers for monitoring signal sources. In radio studios, DJs use a pair of headphones when talking to the microphone while the speakers are turned off to eliminate acoustic feedback while monitoring their own voice. In studio recordings, musicians and singers use headphones to play or sing along to a backing track or band. In military applications, audio signals of many varieties are monitored using headphones.
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