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If you have a bass problem you could find a filter of some kind that cuts the low bass. Some bass controls can do that. I haven’t found a music genre that totally lacks strong bass, although “acoustic” sometimes doesn’t have strong bass. Mainly, you should make sure your system is matched properly with amp and headphone, so the different frequencies are in balance. Then you will have better luck with different music.
We run every pair through a rigorous testing process over several days or weeks. That includes playing them in all sorts of scenarios — be it on a bus, in the listening room, or at the office — and playing back from a wide array of sources. We know most people use their headphones with a smartphone, often with lower-quality MP3 resolution tracks, so we do, too.
The fit isn’t always an easy thing to be sure of when you can’t try before buying, since some ear pads will not have a satisfactory fit to some ears. Power requirements aren’t a simple matter of looking at the impedance, since efficiency or sensitivity doesn’t always track directly with impedance. Another issue indirectly related to power requirements are whether the headphone has the option for ‘balanced’ use or some other connection that isn’t a 3.5 mm or 6.35 mm jack and plug.
Earphones are very small headphones that are fitted directly in the outer ear, facing but not inserted in the ear canal. Earphones are portable and convenient, but many people consider them uncomfortable. They provide hardly any acoustic isolation and leave room for ambient noise to seep in; users may turn up the volume dangerously high to compensate, at the risk of causing hearing loss. On the other hand, they let the user be better aware of their surroundings. Since the early days of the transistor radio, earphones have commonly been bundled with personal music devices. They are sold at times with foam pads for comfort. (The use of the term earbuds, which has been around since at least 1984, did not hit its peak until after 2001, with the success of Apple's MP3 player.)
These early headphones used moving iron drivers, with either single-ended or balanced armatures. The common single-ended type used voice coils wound around the poles of a permanent magnet, which were positioned close to a flexible steel diaphragm. The audio current through the coils varied the magnetic field of the magnet, exerting a varying force on the diaphragm, causing it to vibrate, creating sound waves. The requirement for high sensitivity meant that no damping was used, so the frequency response of the diaphragm had large peaks due to resonance, resulting in poor sound quality. These early models lacked padding, and were often uncomfortable to wear for long periods. Their impedance varied; headphones used in telegraph and telephone work had an impedance of 75 ohms. Those used with early wireless radio had more turns of finer wire to increase sensitivity. Impedance of 1000 to 2000 ohms was common, which suited both crystal sets and triode receivers. Some very sensitive headphones, such as those manufactured by Brandes around 1919, were commonly used for early radio work.
A: Absolutely not... unless you're just looking for an excuse to try something new. But if you're not made of money, you can always hit up the manufacturer for a pair of replacement tips. Most earbuds only come with one set of each size, so losing one can be annoying. If you're in an experimental mood, Comply offers aftermarket tips that fit your brand and come in a variety of materials.
Portability can mean many things, such as appearance in public, having a secure fit so the headphone doesn’t shift off of your ears, amount of isolation from ambient noise (including active noise canceling), whether the headphone can be worn around the neck when not listening or it requires a carry case, and when extra amplification is required, whether a suitable amp can be found that’s OK to carry along with the portable music player.
The rule that I use is that the bigger the size of the headphone, the bigger the need for amplification. Of course factors like driver sensitivity and impedance will matter, but the general rule of thumb is, use a dedicated headphone amplifier for a full size headphone. Even a portable amplifier can be enough, depending on the type of the headphones.
The Bose QuietComfort 35 II is arguably still the most comfortable pair of noise-canceling headphones you can buy. Released in the summer of 2018, you can think of the QuietComfort 35 II as simplified, less sophisticated and more affordable version of the new Headphones 700. The lack the transparency mode, superior call quality, USB-C charging port and on-ear gesture controls, but they still boast really impressive noise-canceling skills. The also have the tradional foldable design — it folds more compactly — that many travelers really like.
The thermoacoustic effect generates sound from the audio frequency Joule heating of the conductor, an effect that is not magnetic and does not vibrate the speaker. In 2013 a carbon nanotube thin-yarn earphone based on the thermoacoustic mechanism was demonstrated by a research group in Tsinghua University. The as-produced CNT thin yarn earphone has a working element called CNT thin yarn thermoacoustic chip. Such a chip is composed of a layer of CNT thin yarn array supported by the silicon wafer, and periodic grooves with certain depth are made on the wafer by micro-fabrication methods to suppress the heat leakage from the CNT yarn to the substrate.
The iPhone will drive the headphone fine and make a very nice sound, but the amp will make a big improvement in harmonic extension and soundstage. Use the amp whenever possible. Both Headfonia and I concur that the E07k is a great amp, and probably the best thing you can get for up to twice the price. I’m familiar only with the E07k, the E17, and the E12. I think the E07k beats the E17 (and both are also USB DACs), while the E12 is just an amp, and has a darker sound but with more power for inefficient headphones. The Philips is not inefficient.
Although modern headphones have been particularly widely sold and used for listening to stereo recordings since the release of the Walkman, there is subjective debate regarding the nature of their reproduction of stereo sound. Stereo recordings represent the position of horizontal depth cues (stereo separation) via volume and phase differences of the sound in question between the two channels. When the sounds from two speakers mix, they create the phase difference the brain uses to locate direction. Through most headphones, because the right and left channels do not combine in this manner, the illusion of the phantom center can be perceived as lost. Hard panned sounds are also heard only in one ear rather than from one side.
The QuietComfort 30s are Bose’s wireless in-ear headphones with active noise cancellation, and they’ve set the bar for the category since they were released in 2016. The QuietComfort 30s utilize the same StayHear+ tips as all Bose’s other in-ear headphones and they use the same app as the company’s other QuietComfort headphones. The one caveat is that the QuietComfort 30s are a neckband-style of wireless headphone, so they’re fairly heavy and probably best served for office settings.