The DT770 is fine – not basshead, the COP is the same size and configuration as the 770, and both of those, large though they are, are “tighter” built so they feel less clunky than the M50. But the biggest problem for you is that the smaller headphones under $200 almost all have a steeply rolled-off treble, which is trouble for the more refined type of music. One possible exception is the Harman Soho.
If you’re buying wireless headphones, keep a spare pair of wired headphones around in case the others run out of battery. Wireless headphones are definitely the future, and the convenience is a huge benefit, but they rely on battery power to work their magic, and batteries run out. If you’re going to be in a place where you won’t be able to recharge your wireless headphones, consider keeping a backup wired pair with you so the music never has to stop.
Dirac is mainly for resonance (narrow band) taming and not suitable for normal EQ. Accudio is good. But since the L1 already has a strong bass emphasis, boosting mids or treble just makes the imbalance worse – i.e. the freq. response becomes more ragged and the sound more harsh. To get a smoother sound and better mids and treble, reduce the bass instead.
Digital assistant compatibility: These days, it’s kind of a rite of passage for any tech gear to be compatible with voice-controlled digital assistants, and headphones are no exception. Certain high-end headphones include a microphone that you can use with voice commands to conjure up your favorite digital assistant, but you’ll need to make sure your smartphone is compatible. For example, if you own a Samsung Galaxy S8 phone (or newer version), you can use certain headphones to execute specific voice commands on your phone, such as “Check weather.”
I’ve had only a few minutes one day with a 598, so I can’t say exactly. But since the HP100 is closed and the 598 is open, I would get the 598, as long as open back is OK for you. I don’t think you can go wrong with the 598 in any case – it’s a very good headphone. Watch carefully for any cracks to develop though, since there were many reports of that.
A good headphone should last 25 years. The first thing to replace is earpads usually, since wear affects the sound. Sometimes the cable will get a loose connection and need replaced. The drivers should be good forever, but in some rare cases a hair can work its way in and cause a buzz or rattle. If that happens it’s usually easy to remove an earpad and pull the hair etc. out.
The adage that you get what you pay for is generally true for audio products like headphones. What has made us big fans of the 1More brand is its ability to redefine that expectation in surprising ways. The 1More Triple Driver in-ear headphones are a great example of this: They exhibit all of the hallmarks of high-end, expensive earbuds, yet manage to keep the price highly affordable for most people.
Just a few hours of burn-in today – I don’t expect much change with Tesla-quality drivers etc. The treble is recessed almost as much as the Philips M1 I had, kind-of a worst-case scenario. So I took out my most minimal non-peaky non-bright non-sibilant headphone – the B&O H6, and even though it doesn’t sound the same as the T51p because of the H6’s “light” midrange, I wanted to get a sense of how much the T51p was recessed below a very minimal treble. My Foobar2000 settings were +2 at 2.5, +4 at 3.5, +2 at 5, +4 at 7, +6 at 10, 14, and 20 khz. Normally I wouldn’t do the dip at 5 khz, but the T51p has a nasty 10 db peak around 5 khz, which makes it difficult for portable use without a customizable equalizer. Without a treble boost it sounds very boomy as well as muffled. I can understand Beyer going to a darker sound with more bass – in fact I thought it was a move in the right direction. But they need to cut that (resonant?) peak around 5 khz. I compared to several other headphones and none of those were anything like that.
Again, back on the automobile analogy. If you’re driving in downtown Chicago after winter time, the road is full of potholes. It would be nice to be riding in a nice SUV, rather than typical sports car with a fully stiff suspension. It doesn’t matter if your sports car happen to cost three times the cost of the SUV, it’s just the wrong car for the road. Likewise headphones. A $1,000 headphone can sound very awful on the wrong music. Don’t believe me? Try listening to Linkin Park with the $1,800 Sennheiser HD800. You will wonder where that $1,800 went.
Electrostatic drivers consist of a thin, electrically charged diaphragm, typically a coated PET film membrane, suspended between two perforated metal plates (electrodes). The electrical sound signal is applied to the electrodes creating an electrical field; depending on the polarity of this field, the diaphragm is drawn towards one of the plates. Air is forced through the perforations; combined with a continuously changing electrical signal driving the membrane, a sound wave is generated. Electrostatic headphones are usually more expensive than moving-coil ones, and are comparatively uncommon. In addition, a special amplifier is required to amplify the signal to deflect the membrane, which often requires electrical potentials in the range of 100 to 1000 volts.
Expensive: Audiophile-grade headphones can cost anywhere between $130 and $2,000. Headphones in this price bracket are no joke: they create impressive soundscapes, are robust enough for use in a recording studio, and they’re just plain beautiful. If you need a pair of headphones for critical listening, or you simply want the best headphones around, it’ll cost you.
The WH-1000xM3’s excellent noise-canceling technology ranks second only to the Bose QC35 II, from the brand that has long dominated the market in terms of sheer noise-blocking abilities. That said, the Sony cans sound much better than the new bass-forward Bose option, and offer numerous features that help to create a much better overall experience.
However, most people won’t be able to hear the difference if they’re older than 24, have some form of noise-induced hearing loss, or are in the presence of outside noise. For this reason, we recommend wireless Bluetooth headphones for those commuting, or in noisy situations. If you’re listening primarily at home at the computer—get a set of wired headphones.
While iPhone users can expect that their phones are missing essential parts to look good, AAC is one of those codecs that maybe cut a few too many bits out of its data transmission. By using an aggressive psychoacoustic model of compression, AAC seeks to cut data where you wouldn’t normally be able to hear it anyway—but it gets a little too aggressive at times.
These early headphones used moving iron drivers, with either single-ended or balanced armatures. The common single-ended type used voice coils wound around the poles of a permanent magnet, which were positioned close to a flexible steel diaphragm. The audio current through the coils varied the magnetic field of the magnet, exerting a varying force on the diaphragm, causing it to vibrate, creating sound waves. The requirement for high sensitivity meant that no damping was used, so the frequency response of the diaphragm had large peaks due to resonance, resulting in poor sound quality. These early models lacked padding, and were often uncomfortable to wear for long periods. Their impedance varied; headphones used in telegraph and telephone work had an impedance of 75 ohms. Those used with early wireless radio had more turns of finer wire to increase sensitivity. Impedance of 1000 to 2000 ohms was common, which suited both crystal sets and triode receivers. Some very sensitive headphones, such as those manufactured by Brandes around 1919, were commonly used for early radio work.